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Hannah Armbrust

 
 
 

Showing Rome to My Brother 

 

It’s an important moment getting off the train

together, my first time with family

in Rome. We begin by fighting,

nearly, when I ask, “What do you want

to see?” Which later, I understand

overwhelmed him since Rome

is vast and grand and impossible to know.

I’m frustrated too, because I’m not a planner

and when I come to Rome, I wander,

look at paintings, and draw in piazzas,

which sounds pretentious to him,

because he doesn’t draw and doesn’t know

anyone who would travel halfway around the world

to see a painting, which, other than people,

is one thing I would travel for, since if it’s the right

painting and you give up being blind

for just a moment, it could change your life.

But I don’t say that to him.

Just shrug and start walking down one of the wide Fascist

streets toward the Coliseum,

making vague remarks about government buildings

and where to buy a SIM card, and all that time

I keep thinking about Caravaggio

and how Paul, sprawled beneath

a horse, has the expression of clouds

at sunrise, his arms slightly raised,

while all around the world keeps moving.

 

 

 

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